Issue 3
The third edition of Knit Wit is a celebration of the darker time of year โ that shadowy, unknown exterior feeling that acts as a foil to a cozy, warm, interior vision of fall.
- Fashion editorials inspired by Blair Witch and Caravaggio
- Artist feature: Ben Cuevas and anatomical sculptural knit pieces
- Rich, moody photography throughout
About This Issue
Released in November 2015, Issue 3 embraces the moody transition into winter. The images are rich, dark, and layered โ drawing inspiration from the eerie stillness of Blair Witch to the dramatic chiaroscuro of Caravaggio.
We caught up with artist Ben Cuevas, who explores anatomical themes in his sculptural knit pieces, and shot a shearling-and-hides trend story riffing on fashion's nomadic moment.
- Captivating photography and thoughtfully arranged storytelling
- In-depth artist profile on Ben Cuevas
- Fashion editorials with a dark, cinematic edge
- Part of the ongoing Knit Wit collection
Knit Wit Magazine stands as a welcoming hub for the contemporary craft movement, celebrating the vibrant world of fiber, textiles, and the community of makers who bring them to life. Each issue invites readers into a layered exploration of textile artistry, blending thoughtful features on artists and designers with atmospheric editorials that shift with the seasons. The publication champions a slow, intentional approach to making, spotlighting hand-knit sculptures, woven traditions, and the quiet poetry of stitch work. With its editorial eye turned toward both emerging voices and established hands, Knit Wit offers a generous, unhurried space to consider how cloth connects maker, material, and moment in a thoughtfully curated way.
Inside Issue 3
The third edition of Knit Wit Magazine captures that peculiar autumn threshold โ the moment when the exterior world grows shadowy and unknown, while interiors become havens of warmth and texture. The photography throughout is deliberately moody, using deep shadows and rich tones to evoke a sense of quiet drama.
Ben Cuevas's anatomical knit sculptures take center stage in this issue, blending the precision of medical illustration with the softness of handcrafted fiber. His work challenges the boundaries between art, anatomy, and craft โ a perfect embodiment of the magazine's "interest over instruction" ethos.
Fashion stories in this issue pull from unexpected sources: the raw, handheld dread of The Blair Witch Project and the luminous, sculptural darkness of Caravaggio's paintings. The result is a series of editorials that feel both haunting and deeply cozy.
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